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Small Squares.
1971
[Click to view] Printed paper on hardboard, cotton strings, 78 x 78 cm Randomly aligned squares of primary coloured stripes produce a flickering, iridescent effect as the viewer passes the work. |
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Iridum.
1971
[Click to view] Printed paper on board, cotton strings, 50 x 120 cm The slight curve of the striped background produces variegating colour effects as the viewer moves past. |
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Dozen.
1971
[Click to view] Printed paper on hardboard, cotton strings, 50 x 120 cm Stripes on the twelve groups of concentric squares are arranged in a permutation so that no two are alike. The colours change as the viewer moves past. |
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Num 1.
1971 [Click to view] Printed paper on board, cotton strings. 66 x 66 cm One of our first examples of the use of a stepped, striped background that reacts with strings and their shadows to produce subtle iridescent colour changes when viewed from different angles. |
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Bifröst.
1970 [Click
to view] Printed paper on hardboard, cotton strings, 175 x 60 cm Our first use of printed paper stripes and strings to produce colour changes. Bifröst is the Norse name for a rainbow - ‘the shimmering path’. Owned by Bifröst Co-operative College. |
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Vortex 1.
1970
[Click to view] 4-colour acrylic on wood. 90 x 90 cm Colours subtly reflect together, merge and multiply. Only four paint colours were actually used in this piece but there appear to be many more. |
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Perspex 1.
1969
[Click to view] Painted wood and perspex. 46 x 46 cm An early example of colours changing by the use of hand painted stripes. |
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Vortex 2.
1969
[Click to view] Gouache on paper 45 x 45 cm A study in additive colour effects. Four flat colours blend optically to give the illusion of many more. |
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Helix.
1969
[Click to view] Acrylic on canvas. 125 x 125 cm Four flat colours begin to blend optically as they approach the centre. |